Free PDF The Warner Loughlin Technique: An Acting Revolution, by Warner Loughlin
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The Warner Loughlin Technique: An Acting Revolution, by Warner Loughlin
Free PDF The Warner Loughlin Technique: An Acting Revolution, by Warner Loughlin
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Review
"I was able to find my voice, and to find tears and to find levels, because I was able to have a safe place to go, that I could come back from. With your technique, in character prep, when I visit a character's life, her past and create an event good or tragic - that belongs to her. I don't take ownership of that pain with me. I don't take it on as my own...So this allows me not to be scared to go there, which allows me freedom as an actress to do anything, because I don't own it. It belongs to my character."-Amy Adams"Working with Warner was a revelation. I doubted that I could ever work without "observing" and judging every moment. I will be forever grateful [to Warner] for helping me get back to the joy of living in the spontaneous truth of every scene."-Kyra Sedgwick"I've been working with Warner Loughlin for years. Not only has she helped me become a better actor, but she's also helped me truly enjoy this work in ways I never imagined."-Ryan Reynolds"Before I started working with Warner on the technique, I felt like acting was just something that I could some days do, and some days not do. It was only through doing deep emotion with detail on each of the characters I got, that I could act everyday how I wanted to, because I ended up knowing the character inside and out. The thoughts are no longer my own, but the characters', so I don't have to work as hard during the scenes. Now being on set and being the character is fun and never feels pushed. I love the technique and it has helped me immensely." -Sosie Bacon"I met Warner over 10 years ago. She has coached me through comedy, drama, and even life! She has not only given me tools to be better at my job, but tools to be 100% confident through the process."-Emma Roberts"Warner's Technique has become part of my creative process... It's simply the most intuitive way for me to find a character's base human emotion. Warner worked with us on Disney's Frozen for many months and helped us create truthful characters... I've never felt so comfortable animating a character before and I think the sophistication in the performance in the film speaks for itself." -Lino DiSalvo, Head of Animation for Disney's Frozen
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Product details
Paperback: 288 pages
Publisher: Howland Tilley Press (August 31, 2018)
Language: English
ISBN-10: 0999527002
ISBN-13: 978-0999527009
Product Dimensions:
6 x 0.6 x 9 inches
Shipping Weight: 15 ounces (View shipping rates and policies)
Average Customer Review:
4.8 out of 5 stars
13 customer reviews
Amazon Best Sellers Rank:
#31,971 in Books (See Top 100 in Books)
I just finished reading this book and I love it. If you’ve read Susan Batson’s book, you’ll find that it shares the basic core, which is working from ‘The Need.’ However, as Warner points out, if you work from your own ‘Need,’ you’ll never really be the character, but rather, another version of yourself. BRAVO!You’ll learn how to create such a powerful backstory by looking for personality patterns, among many others, that will connect you to your character in such a way that you will simply click with the lines, the character, and all other aspects that acting requires.I highly recommend this book. And, NO, I’m not affiliated with the author in any way, shape, or form.About me: I’m a full-time actor living in Los Angeles. I’ve been acting for 35 years. I’m currently working on a show called, “The Last Legacy†and will be working on another one called, “Hotel Scarface’ due next year.
Wow, Real Insights. The shortest chapter in the book, Base Human Emotion, is worth the purchase price. Useful on many levels.
Great reference for aspiring actors
Let's not get crazy. The book is fine. But is it the promised revolution? No. What is the technique? A clear, commonsense reading of given circumstances that the actor then extrapolates into imagined memories that help create and justify a pattern of behavior through the use of a "Base Human Emotion." While the book poo-poos the use of objective in the very first pages, the "Base Human Emotion" is no more or less than a simple objective, i.e. "the need for order" or "the need to be seen" or "the fear of conflict" which translated to need is "the need for peace."This all leads to the creation of a detailed, imagined memory that justifies the Base Human Emotion. But this isn't revolutionary. Lawrence Parke wrote extensively about this in his acting book in the 70's, and called it a "Neurosis Provoking Moment." And he got it from Vaktanghov. So - nothing new or revolutionary. Sorry.So, if you want another take on how excavation of given circumstances can lead an actor an imaginative implication with the text and the role, go for it. This book is a fair account of one kind of process. But if you're looking for the technique that will change how acting is taught for "generation to come!!!!!!!!!" Well... not quite.
I bought two of these wonderful books because as a director I have worked with many of Warners' students and have been so impressed by their acting ability, being able to get to the place and emotion that I need them to get to, and their professionalism, that I wanted one to keep on hand and one to give out to promising young actors that I run across.
An Entertaining book, that’s helpful and informative
This isn't just for actors (although I can only imagine that it would help a bunch). This is for anybody who has to go out and do something publicly - music artists (Luke Bryan, anyone?!), politicians (she doesn't kiss and tell, so we don't specifically who) and blockbuster Oscar winners (Ryan Reynolds, Amy Adams, Zooey Deschanel, etc.! The screen writers and those behind Disney Animation lean on her and her technique as well to create realistic characters. What a relief to understand if you "do your homework" as a performer, the passion need you will be there...no going back to your worst memories to find tears and angst for a closeup shot. Loved that she came to Nashville and did an event at Parnassus Books! She's as accessible in person as her book is. I found this very helpful and will take tips away for my own public appearances.
Thank you first of all to NetGalley and Howard Tilley for letting me peruse this wonderful new addition to my acting technique books. I am always in the market for good, really good, books on acting techniques. This is perfect for my theatre students. They will revel in the direction this book takes them in. It's short in length but to the point! I love the first important sentence, and I am quoting..".. Where is it written to be a gifted actor, you must be filled with rage or pain or strife." I fell in love with the author from here to the end. How heathy and fresh is this thinking!!! This book teaches one how to act like not and not become as well as learning how to get out of one's way. BRAVO to Warner Loughlin!!! FINALLY, a really really really fantastic book for actors and acting students!!!! I can't wait to order lots!!!
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